-  issue APG -     

Alka Roy

       - 3 poems -

 

Stain

(why) can’t we keep
those leaky sacks of secrets

                              a splotch not-so-math-e-matical

                                                  why does he smear on himself
                                                  corroborations of age-old industries

                                                  manufacturing stigma like products
                                                  showcased behind bullet-proof expositions

                                                  it does not matter what is hurled
                                                  color we are left with is the one we know

                                                  does she see this?
                                                  with drops in her eyes of pharmaceutical clearness


rhetorical rhetoric, polls, surveys pile on me an uncertainty, a vacuous pick to shovel with

something that is/was/is whole

why won’t we, he, she unroll out of it that which in/is kennel

do only colors sully
                                                  stain
                                                  denigrate       doll-up     bedazzle     stain?

Or are there other                          far more dangerous things that never change.

 

 

Because We Can NOT

Precision & Harm cross their legs (one foot on toes)
standing at the edge of Perspective.

do we/I move                                         a w a y
                            or does He?

hand-wringing combat zones depict
          EVEN BAD ART be powerful

Perspective in audacity calls itself us.     an excuse for company

BUT for a     m     o       m       e       n       t       everything says:

I where I am
He where He is
                      & then

I move                      feel back                      but not in steps
more like rolling          u’huh on wheels

He waves         but       I am not sure    if
He is Precision or Harm staying at open gate marked    2

Perspective, a common coin, tosses
compelled to creation – pulp, drama(tic), rutted
Harm & Precision make-believe gratuity
lend rated labels or being stuck to (it)     flicker of it,
<- N[M]<-B->     as in strips for air     - to take off

I wait for fear & such to turn its noose the other way
come back in smaller packages

everything stops at this.
                                       He is now
at my right side             removed             from Himself
head in His hands
                                        both immaculate strangers

          retelling
                                                           past Perspective

Precision & Harm gird & crank the hilt one after the other

it has been a long time since I left the 2nd gate
Him standing at the edge
Me rolling back or is it was it    the other way
Me rolling at the edge &
Him standing back?

I retell           keep I’ll           retelling it
ignite it’s fertility & perhaps something will occur
in the while, while I hold         still




Altostratus & other Politics

something                          that points
(weft of muslin or water or    propels)
up, down scours pages         is it history?
no, something less precipitated

colorless I, me, we, us, me, me, me
keep      repeating      lumpy, piled – cumulonimbus
clouds with funny names                 still reflect

but how long can we stay here
till we condense backwards

& what if we knew that the Chinese discovered America
would we no longer have Columbus day
finally admit that you cannot discover
that which has already been discovered

the mid layers, would we learn their tribal names

tiny octaves of porous likelihood
glint in that sun that lights the moon
& stuff that skims what we call the sky

nothing is what is, what it ought to be
or suppose it is

& perfectly diluted

answers the call – up, down, down, up
a knee-jerk over (& out) spewing in the murk

           a hush

yes
i
am
afraid
of
knaves
emperors
thieves
all that can be plural

                                              trying to reach the end of the same line

wire sandwich