Accessories | ||
|---|---|---|
| Back to Top | ||
| A Quarter to Midnight | Ann P Mullican | |
| Scarf in original shadow weave design in ebony and ecru; 8H shadow weave; 100% Bombyx and Tussah Silk | ||
| Professional | 63" with 6" fringe | NFS |
| Aurora # 1 | Carole L Hall | |
| Shawl; Hand space-dyed warp, weft hand dyed & commercial; Cotton, rayon, and synthetic | ||
| Professional | 20-1/2" x 69-1/2" plus fringe | $200 |
| Bateman's Boxes | Lynn Lucas | |
| Handwoven scarf; Bateman extended divided twill; Cotton and rayon | ||
| Amateur | 8" x 55" | NFS |
| Beaded Thrums | Jo-Marie Karst | |
| Scarf, bead embellished. Woven from thrums of a space-dyed warp used as a weft; Plain weave; Mercerized cotton, beads | ||
| Professional | 7-1/2" x 64" | $125 |
| Blue Felted Bag | Michaela McIntosh | |
| Woven wool handbag; Woven, mixed twills, with felting, both needle and water; Wool | ||
| Amateur | 14" x 16" | NFS |
| Bluebonnets | Deb McClintock | |
| Warp hand-dyed, silk inlay stored via Lao technique; Lao pick up storage; silk; Texas ethnic symbols | ||
| Professional | 7-1/2" x 65" | $250 |
| Championship 2003 | Doris Holland | |
| Scarf celebrates LSU's 2003 National Football Championship. Purple and Gold are LSU colors. 8-Harness advancing twill based on Xenakis' "Swedish Snowflake"; 30/2 Spun Silk; Skeins batch dyed with Lanaset dyes | ||
| Amateur | 76" x 8-3/4" including fringe | NFS |
| Crepe Myrtle | Elaine P. Bradley | |
| Lacy weave scarf; Huck variation; Rayon, cotton | ||
| Professional | 8" x 72" | NFS |
| Dots & Dashes | Lynn Lucas | |
| Handwoven scarf; Bateman extended divided twill; Cotton, rayon, silk, and Tencel | ||
| Amateur | 7-1/2" x 56" | NFS |
| Early Snow, Mt. Elbert | Sandra Rude | |
| Shawl; Three spaced, interlaced layers; differential shrinkage; Merino wool and mohair | ||
| Professional | 18" x 64" | $400 |
| Emerald Coast Silk Shawl | Ramona Abernathy-Paine | |
| Navy warp, 5 shades of blue and green blended for weft. Inspired by Gulf of Mexico as seen from Destin, FL; Undulating Twill; 20/2 silk; Draft adapted from "A Weaver's Book of 8-shaft patterns", page 12, # 8 | ||
| Professional | 27" x 84" | $400 |
| Emerald Night | Ann P Mullican | |
| Evening purse with shoulder strap and interior reading glass pocket and beads; 8H twill; Cotton yarn and lining fabric with antique and contemporary glass beads, bone button | ||
| Professional | 6" x 8" | $130 |
| Evening Rose | Paddy Bakker | |
| Fine silk scarf in rust and blue with beaded fringe; 18 shaft overshot; iriginal design; 60/2s silk | ||
| Amateur | 9-3/4" x 56", including fringe | NFS |
| Fields | Ellen M Grenier | |
| Cotton/rayon scarf; Weaving; 20/2 Cotton & 16/1 Rayon | ||
| Amateur | 5-1/2" x 47" | $40 |
| Flapper Scarf | Julie Stefano | |
| Double-weave scarf with one layer shorter than the other to create a flap. Double weave; Tencel | ||
| Amateur | 7" x 70" | $75 |
| For Elizabeth | Marilyn Sharp | |
| Cotton and rayon Shawl; Swedish Lace; Cotton and rayon | ||
| Professional | 20" x 72" | $180 |
| Frost | Susan Mansfield | |
| White scarf with frost pattern; Original draft of advancing and point twills to indicate frost pattern; 10/2 white tencel | ||
| Amateur | 7-7/8" x 59" | $150 |
| Giverney at Midnight | Ellen K Heimlich | |
| Chenille scarf; Plain weave with supplemental warp; Rayon chenille with fancy ribbon | ||
| Amateur | 6-1/4" x 54" plus fringe | $150 |
| Gypsy Moon Shawl | Lizabeth Shannon | |
| 3-D shawl in brown and blue; Hand dyed with stitched shibori, fulled; Organic brown and white cotton, merino wool, natural dyes | ||
| Professional | 23" x 90" | $500 |
| Handspun Bird's Eye Scarf | Mary Nichols | |
| Handspun woven scarf with painted warp; Bird's eye twill; Alpaca, wool, silk | ||
| Amateur | 8" x 66" | NFS |
| Hay Fields | Ellen M Grenier | |
| Cotton / rayon scarf; Weaving; 20/2 Cotton & 16/1 Rayon | ||
| Amateur | 5-1/2" x 47" | $40 |
| High Summer | Margaret (Peg) Carpenter | |
| Scarf; 4-shaft undulating twill; silk; Hand-painted warp & weft | ||
| Amateur | 5-1/2" x 77" | $150 |
| Hydrangea | Doris Holland | |
| Inspired by a photo; skeins were painted echoing the photo's colors; 8-Harness advancing twill based on Xenakis' "Swedish Snowflake"; 30/2 Spun Silk; Skeins painted with Lanaset dyes | ||
| Amateur | 71" x 7-3/4" including fringe | NFS |
| Interlacing Green and Purple | Bonnie A Inouye | |
| Scarf; black, purple, green; Turned polychrome summer & winter; Tencel warp, cotton weft. Original design | ||
| Professional | 8-1/2" x 58" | NFS |
| Leaves | Susan Zakanycz | |
| Scarf; Warp, hand-dyed silk, weft rayon; discharged stencil designs; Silk, Rayon | ||
| Amateur | 6" x 60" | NFS |
| Northern Lights Scarf | Brenda Osborn | |
| Scarf; Plaited twill with a multi-colored warp; Zephyr: 50% merino, 50% silk | ||
| Amateur | 7" x 65" | $125 |
| Peaches in Dreams | Elaine P. Bradley | |
| Painted warp scarf; Swedish lace, warp painting; Rayon, fiber reactive dyes | ||
| Professional | 8" x 67" | NFS |
| Pearl of the Plains | Sarah L Fortin | |
| Shawl, horizontal tubes - gathered, beaded, in pinks & naturals; Double weave, gathered horizontal tubes, 4-shaft; 14/2 cotton, 20/2 handpainted Tencel | ||
| Professional | 24" x 72" | $2000 |
| Plaid scarf | Mary Nichols | |
| Plaid twill scarf in green and gold rayon; Twill; Rayon chenille, rayon Bouclé | ||
| Amateur | 8" x 68" | NFS |
| Promises | Judith Krone | |
| Shawl; Twill, 24 harness complex twill; Silk | ||
| Professional | 30" x 90" | NFS |
| Ripples on the Water | Ellen K Heimlich | |
| Chenille scarf Plain weave with supplemental warp; Hand dyed rayon chenille, novelty chenille, 20-2 pearle cotton | ||
| Amateur | 7-1/2" x 65" plus fringe | $175 |
| Sakiori bag | Yoriko Oki | |
| Evening bag, with scraps of silk shantung as weft. The inlay is hand-dyed silk organza. Rug weaving with inlay; Cotton carpet warp, silk shantung, and silk organza. "Sakiori" is a Japanese term for rug weaving | ||
| Professional | 2" x 6" x 8" | NFS |
| Scarf | Mary L Miller | |
| Blue and green Tencel Scarf. Asymmetric design includes sections of point draw, straight draw, and advancing twill. Woven on 16 harnesses in plain and twill weaves; 10/2 Tencel | ||
| Amateur | 8" x 51" + fringe | $35 |
| Scarf | Neal S Howard | |
| Hand-dyed, handwoven; Woven shibori, discharged, overdyed; Silk | ||
| Professional | 14" x 75" | $190 |
| Scarf | Wendy Ross | |
| Scarf; Plain weave with lace; Warp: Tencel; weft: 10/2 cotton | ||
| Professional | NFS | |
| Scarf # 2 | Vita Plume | |
| Dyed warp stripes, woven shibori - blue, green, yellow; 16-harness satin weave, dyed warp and woven shibori; Cotton and polyester | ||
| Professional | 5" x 60" | $125 |
| Serendipity | Judith Krone | |
| Shawl; 24 Harness complex twill, overdyed, shibori resist; Silk | ||
| Professional | 93" x 28" | $350 |
| Shawl | Donna Thornton | |
| Plaited twill shawl; 8 harness plaited twill, resist tied, discharged, overdyed; 10/2 Tencel | ||
| Amateur | 22" x 107" | NFS |
| Silk Color Wheel Scarf | Barbara Waka | |
| Silk scarf with color blending; M & W pattern, three yarns per warp, three yarns per weft. Both warp and weft move gradually through a color sequence; Silk, 14800ypp, solid colors | ||
| Professional | 7-1/2" x 56" | $150 |
| Silk Iris Garden | Phyllis Ruegg | |
| Scarf, twisted fringe; warp rust - amber; weft blue-purple-teal; 6 block summer and winter threading (asymmetrical); Silk 30/2 (30 epi) 60/2 for tabby; Pattern from "Handwoven" Sept/Oct 1991 page 22 | ||
| Amateur | 11" x 66" + fringe | NFS |
| Spectrum Stole | Jennifer Moore | |
| Hand-painted silk stole; Warp-faced twill; Hand-painted silk | ||
| Professional | 28" x 84" | $750 |
| Spring Thaw On the Mountain | Janet Stollnitz | |
| Scarf in natural and black; 16 shaft amalgamation, original design; 60/2 Silk | ||
| Professional | 9-1/4" x 63" + fringe | $250 |
| Summer Lace | Mary Zurn | |
| Swedish lace shawl; Swedish lace; Rayon and Tencel | ||
| Professional | 14" x 72" | NFS |
| Sunrise | Janet Stollnitz | |
| Scarf, green, rust, gold, plum, red; 8 shaft, hand dyed; Tencel and silk | ||
| Professional | 9-1/4" x 64" + fringe | $175 |
| Totebag | Wladyslawa Ada Szayna | |
| Blue with stripes plain weave, warp 100% cotton, weft polyester; Plain weave; Warp 100% cotton, weft polyester; Wash with cold water | ||
| Amateur | 18" x 12" | $50 |
| Twister Scarf with Doodads | Lizabeth Shannon | |
| Scarf in black, yellow, orange, and multi; Yarn dyed, handwoven, fulled, double woven; Alpaca, merino wool, natural dyes | ||
| Professional | 5" x 90" | $200 |
| Waves | Inge Dam | |
| Scarf with beads and beaded fringes; Four shaft deflected double weave; 11/1 wool and 20/2 silk, dyed; Beads were added to the scarf when it was off the loom | ||
| Professional | 9" x 88" | NFS |
| Wild Flowers of the Western Plains | Inge Dam | |
| Shawl with Tablet Woven Bands; 28 shaft network twill and regular double faced 3/1 broken twill; Warp Dyed 10/2 Tencel and 20/2 silk. Weft 10/2 mercerized cotton | ||
| Professional | 25" x 92" | NFS |
| Wild Stuff! | Bebby Weigand | |
| Large Tote bag, colorful; Hand-dyed warp for body of bag and for straps and weft for straps; Cotton warp & straps; weft is one skein of Wild Stuff from Prism | ||
| Professional | 13" x 15" | NFS |
| Windows | Bebby Weigand | |
| Scarf; Hand painted warp, plain weave, unwoven openings throughout; hemstitching; 10/2 Tencel; hand dyed warp and commercially dyed weft | ||
| Professional | 8-3/4" x 77" | NFS |
| Wrap | Neal S Howard | |
| Hand-dyed, handwoven; Woven shibori, warp painting, surface design, overdyed; Silk | ||
| Professional | 28" x 110" | $600 |
Decorative Functional | ||
|---|---|---|
| Back to Top | ||
| Arches | Bud Frohn | |
| Rug; 4-end block weave with shaft switching; 2 ply rug wool | ||
| Amateur | 28" x 53" | NFS |
| Baby Blanket | Michaela McIntosh | |
| Small blanket; Mixed twills; Wool warp, wool/nylon/acrylic weft | ||
| Amateur | 48" x 36" | NFS |
| Catch Me If You Can! | Penelope Morgan | |
| Gingerbread boys and girls dance across this towel; 8 harness summer and winter; cotton | ||
| Professional | 18" x 32" | NFS |
| Color blending from dye pot to loom | Eva Thatcher | |
| Broken twill; Carded, spun, and woven, fulled off loom; Wool; Fleece dyed by Sallie Greenfield | ||
| Amateur | 28" x 48" | $150 |
| Country Harvest I | Yoriko Oki | |
| Pillow cover; Handwoven in overshot, then hand-dyed. The pattern is based on a draft from "Handweavers Pattern Book" by Davison; Cottolin and Cotton chenille | ||
| Professional | 6" x 18" x 18" | NFS |
| Cover Me With Colors! | Penelope Morgan | |
| Jewel toned blocks of chenille woven across each other; Plain weave; Rayon chenille | ||
| Professional | 47" x 70" | $195 |
| Fancy Fiber Storage | Sara von Tresckow | |
| Two handwoven storage bags - for fiber, yarn, or bolts of cloth; Pickup Opphamta; Linen/cotton/poly lining; Woven on countermarch loom with long-eyed heddles | ||
| Professional | 2" x 24" x 36" | NFS |
| Kirschbaum's Design No. 3 | Bud Frohn | |
| Table runner using Kirschbaum's Design No. 3 from A Handweaver's Pattern Book by Marguerite Porter Davison; Swedish Lace Weave; 20/2 bleached cotton | ||
| Amateur | 15" x 46" | NFS |
| Lenten Reflection | Jo-Marie Karst | |
| Table runner; stripes of beadwoven doubleweave between stripes of plain weave, spring colors; Doubleweave; #10 mercerized cotton doily thread, seed beads | ||
| Professional | 45" x 10", including fringe | $240 |
| Memorial Comforter (TM): Colonial Coverlet | Andrea Williams | |
| Collection of 5, to be displayed as one unit by rolling four into cylinders and displaying the fifth opened out, showing the photo; Turned overshot; Pearl cotton, Lurex | ||
| Professional | 15" x 15" | $120 |
| Napkins | Karen Wilson | |
| Handspun, handwoven napkins; Plain weave with pattern border; Cotton; $15 each | ||
| Amateur | 12" x 12" | (2) $30 |
| Pillow Cases | Mary L Miller | |
| Pair of cotton pillowcases; Woven in crackle weave on 20 harnesses; 10/2 perle cotton | ||
| Amateur | 21" x 29-1/2" | $85 |
| Saltillo Burst | Deb McClintock | |
| Split shed pickup, dyed with madder and indigo; Split shed pickup; Leiceister longwool and mohair; Inspired by Navajo Burst of Brilliance | ||
| Professional | 35" x 78" | $1400 |
| Spaces | Brenda Tuckey | |
| Blanket/sofa throw; 8-shaft warp & weft faced twill and warp float honeycomb; Natural dyed silk and pearl cotton | ||
| Amateur | 67" x 41" | NFS |
| Spring Hyacinths | Nancy Crabtree | |
| Easter table scarf; 4-harness plain weave, pattern accomplished by color layout; Cotton and rayon fibers | ||
| Amateur | 16" x 52" | NFS |
| Wool Rug | Karen Wilson | |
| Handspun llama, factory camel, and sheep wools; Plain weave, multistrand weft; Wool with some natural dyes | ||
| Amateur | 30" x 48" | $250 |
Decorative Non-Functional | ||
|---|---|---|
| Back to Top | ||
| (Untitled) | Sara Hosburgh | |
| Landscape with red sunset over blue water, patchwork quilted; Plain weave, woven shibori (hand dyed), patchwork quilted; Cotton warp and weft, cotton backing | ||
| Amateur | 13" x 13" framed | $325 |
| Beach Chair | Louise M Halsey | |
| Tapestry of hand-dyed cotton strips on cotton blend warp; Tapestry; Cotton blend warp, hand-dyed fabric strips | ||
| Professional | 47-1/2" x 37-1/2" | $600 |
| Bernie Meets Bitty | Lori Kemp | |
| Soft Sculpture; Monks Belt/Plain weave; Cotton Rug Warp -wool. Polymer clay/wire/misc | ||
| Amateur | $450 | |
| Brass Shawl | Leigh Alexander | |
| Shawl woven with wire; Atwater-Bronson Lace; Brass wire, rayon | ||
| Professional | 53" x 17" | $250 |
| Caribbean Dawn | Ramona Rein-Lord | |
| Hand-dyed fleece rovings form the delicacies of a sunrise at sea; Standard twill with weft emphasis; Hand-dyed fleece roving, 8/4 cotton | ||
| Amateur | 31" x 46" | $80 |
| Caribbean Dreams | Wendy Ross | |
| Wall hanging; Krokbrag, weft faced twill; 100% wool, hand dyed | ||
| Professional | 28" x 45" | NFS |
| Cat Tracks & Snails Trails | Jodi Burnett | |
| Centerpiece with quilted fabric borders: yellow, blue, & brown; Overshot, Cats Tacks & snails trails pattern, quilting; Cotton & cotton bouclé yarns | ||
| Amateur | 22-1/2" x 25-1/2" | $197 |
| Dancer | Rose Warner | |
| Painted canvas cut into strips and woven as weft; on a painted warp on the loom; Spot Bronson; Canvas, cotton, linen, acrylic paints | ||
| Amateur | 20" x 18" | $375 |
| Darning Decision | Julie Stefano | |
| Wall hanging, viewed from both sides; Double-weave with one side cut away and then hand-stitched; Cotton | ||
| Amateur | 12" x 60" | NFS |
| Daylight On The Mountain | Pamela J Colton | |
| Weaving on driftwood; Handwoven; hand spun wool | ||
| Amateur | 24" x 36" | $575 |
| Denali Enlightenment / Moth | Rebecca J Voris | |
| Inspired while participating in an artist residency at Denali National Park; Brocade weave, air brush dyed. Silk, fiber reactive dyes | ||
| Professional | 18" w x 36" | $900 |
| Diagonal Summer | Louise M Halsey | |
| Wall hanging, playing with color and design; Tapestry; Cotton blend warp, hand-dyed cotton fabric strips | ||
| Professional | 67" x 32" | $800 |
| Double Happiness | Andrea Williams | |
| Wall hanging with imprinted Chinese symbols; Crackle; Noil Silk, pearl cotton, commercial satin, transfer medium | ||
| Professional | 12" x 36" | NFS |
| Early Clothsong | Rowen Schussheim-Anderson | |
| Tapestry; Tapestry with coiled pieces added on; Raffia, silk, cotton, linen | ||
| Professional | 34" x 58" | $2100 |
| Extraordinary Time | Sylvia J. Everett | |
| A seven-panel work combining tapestry and mosaic. It depicts a synthesis of the natural, mythological, and liturgical seasons; Tapestry and mosaic; Wool with mixed fiber accents, glass mosaic | ||
| Professional | 36" x 76" | NFS |
| Fish Fantasy | Carole L Hall | |
| Tapestry with fantastic fish swimming in water; Tapestry; Cotton warp, wool weft | ||
| Professional | 20" x 30" | NFS |
| Gestalt 11 | Stacie Mann | |
| Bridging the weaving and quilting worlds, this piece's abstract & symmetrical imagery varies from viewer to viewer and from moment to moment; Hand painting,cutting & weaving strips; Setacolor transparent fabric paint, cotton fabric, cotton; Bound as with a quilt | ||
| Professional | 69" x 25 " | $2300 |
| Golden Ogees I | Jan Paul | |
| Ciselé (cut, uncut, voided) velvet with bouclé loops; Hand-Jacquard woven velvet; Silk, metallic thread, wood frame & plexiglass | ||
| Professional | 15" x 15-3/8" x 1-1/4" | NFS |
| Goose Eye Copper Bowl | Jodi Burnett | |
| Handwoven metal in the Goose Eye pattern, formed in a 3-D bowl shape; Weaving with metal; Copper and fiber-wrapped metal | ||
| Amateur | 3-1/2" x 7-1/2" x 1-1/2" | $218 |
| Greenfield Lake | Rosemary Smith | |
| Lake scene with bridge; Tapestry; Wool | ||
| Amateur | 27" x 19-1/2" | $700 |
| I Can't Get Home | Linda G Weghorst | |
| Design handwoven with Theo Moorman technique, text beaded on cloth; Inlay, various beading methods; Cotton, rayon, silk, glass beads. Lined. | ||
| Professional | 13" x 12" | $250 |
| In Case You Didn't Know | Rebecca Grass | |
| Golden yellow, purpleish and spring green, organic shapes. A large pocket opened up and beaded inside. Doubleweave pickup, beaded, and hand painted warp and weft; Cotton, rayon, glass seed beads, wire; Traditional Gothic cross draft for top layer. The bottom layer is a derivative of the top layer | ||
| Amateur | 17-3/4" x 14" | NFS |
| Marrakesh Express | Rowen Schussheim-Anderson | |
| Tapestry, blue; Tapestry and rya; Wool, raffia, linen, glass | ||
| Professional | 37" x 58" | $2000 |
| Memories of Montreal | Holly Brackmann | |
| Wall hanging based on maple leaves collected when teaching in Montreal, fall, 2003. Handwoven dévoré, transfer prints, screen printing; Polyester/cotton yarn, cotton & nylon thread, fiberglass screening; acrylic rod,fiber reactive and disperse dyes | ||
| Professional | 29-1/4" x 23-3/4" | $900 |
| Midnight Sun | Kate Groff | |
| Framed, gold dyed stripes. Beads; White/natural layer & double weaving gold dyed stripes; Double weave; hand beaded, saleizone technique incorporating dyed warps before weaving.; Silk and cotton; metallic beads | ||
| Professional | 22" x 35" | $785 |
| Mirage | Deborah Corsini | |
| Silk Ikat wall hanging; Ikat; Silk warp, linen weft | ||
| Professional | 40" x 20" | $650 |
| Morning Glory | Betty Carlson | |
| Wall hanging, resisted, dyed, discharge printed; Taiten shibori dyed.; Rayon; Crepe/twill weaves | ||
| Professional | 20" x 57" | NFS |
| Moses | Ann Arndt | |
| From a photograph of a Michaelangelo statue; Aubusson/Gobelin Tapestry; Cotton warp, wool weft | ||
| Professional | 10" x 7-1/2" | $350 |
| Msitu | Connie Rush Lippert | |
| Weft is hand-dyed with natural dyes - marigold, madder, indigo; Navaho wedge weave; linen warp, wool weft | ||
| Professional | 24" x 47" | $1200 |
| Odessey in Black and Red | Holly H Wilkes | |
| A series of small tapestries; Tapestry; Wool, linen, cotton; Available as separate pieces: Large: $250, Medium: $200, Small: $175 | ||
| Amateur | 4-1/2" x 10", 4-1/2" x 7-1/2", 3" x 7" (2) | Total $800 |
| Oriental Lilies | Marilyn Sharp | |
| Window hanging; Transparency; Linen and DMC cotton | ||
| Professional | 24" x 40" | $250 |
| Peppers | Wladyslawa Ada Szayna | |
| Tapestry; Warp 100% cotton, weft, 100% wool | ||
| Amateur | 17" x 20-1/2" | NFS |
| Reverie | Stacie Mann | |
| Square rag rug, embellished and folded as origami; Rag rug, machine couching, origami folding; Cotton quilt fabric scraps, cotton yarn; Son's idea, daughter taught origami | ||
| Professional | 25.5"w x 16" x 24" | $210 |
| Rhiza | Connie Rush Lippert | |
| Weft is hand-dyed with natural dyes - madder, marigold; Navaho wedge weave; linen warp, wool weft | ||
| Professional | 24" x 47" | $1200 |
| Rhododendrons | Alice Schlein | |
| Original digital photograph of rhododendrons in early spring at Connemara, Flat Rock, NC; Tonal range adjusted and weaves assigned in Adobe photoshop; 8-end satin with supplementary weft, handwoven on TC-1 loom; Cotton and Lyocell | ||
| Professional | 21" l x 23-1/2 " w | $1000 |
| Right Fork, Toklat River, Denali National Park | Rebecca J Voris | |
| Landscape done during an artist residency; at Denali National Park - Mt. McKinley; Brocade Weave, Disperse Dye Transfer; Polyester yarn, disperse dye. | ||
| Professional | 19" x 14" silk mounted | $600 |
| Southern Silk | Kate Groff | |
| Framed kimono; saleizone technique of dyeing warp threads before weaving. Saleizone; warp painting using dyes on bombyx silk; sewn into lined miniature work; silk | ||
| Professional | 25" x 50" | $880 |
| Statue Study >Ann Arndt | ||
| From a photograph of a Michaelangelo statue; Aubusson/Gobelin Tapestry; Cotton warp, wool weft | ||
| Professional | 10" x 7" | $350 |
| Sunflower and Sky | Tommye Scanlin | |
| Handwoven tapestry; Wool and cotton; Collection of Bob & Red Buisson | ||
| Professional | 40" x 60" | NFS |
| Sunrise | Jo A. Sanders | |
| 3 Faces of the sunrise, lowest is sleepy, middle - more alert, top - with a full smile of joy. Warp painting using liquid black Sharpie, Thiox discharge, " MX Procion; Pink rayon; Woven in 3 sections in 1/2 basket on a 72" Varpapu countermarche | ||
| Professional | 24-1/2" x 54" | NFS |
| Taos Beat | Deborah Corsini | |
| Small wedge weave, blues and oranges zig-zag; mounted on frame; Wedge Weave; Cotton & silk | ||
| Professional | 11-1/2" x 10-1/2" | $800 |
| Terrace View from Skouros | Brenda Osborn | |
| Tapestry: view from a rooftop terrace on the island of Skouros, Greece; Tapestry; Cotton warp, wool weft | ||
| Amateur | 24" x 36" | NFS |
| The Velvet Ort Box | Jan Paul | |
| Decorative box of ciselé velvet; Hand-Jacquard woven velvet; Silk, metallic thread, plexiglass, commercial velvet lining & trim | ||
| Professional | 2-1/2" x 2-1/2" x 1-1/4" | NFS |
| There's No Place Like Home | Linda G Weghorst | |
| Design handwoven with Theo Moorman technique, text beaded on cloth; Inlay, various beading methods; Cotton, rayon, silk, glass beads; Lined; Ready to hang with 2 metal eyelets | ||
| Professional | 13" x 12" | $250 |
| Three Sisters | Rebecca Grass | |
| Golden yellow, purpleish and spring green, organic shapes; Doubleweave pickup; painted warp & weft; Cotton and rayon; Traditional Gothic cross draft for top layer. The bottom layer is derived from it. | ||
| Amateur | 15*1/2" x 14-3/4" | NFS |
| Through the Woods | Kathleen M Roig | |
| Woven shibori discharge, 4-shaft broken twill; Handwoven on drawloom; Cotton | ||
| Professional | 19" x 59-1/2" x 1-1/4" | $250 |
| Trail of the Kutenai | Nancy Crabtree | |
| Wall hanging; Rep weave/Fibonacci, 4-harness block weave; Cotton yarn and cloth, beads. Space-dyed yarn by Andrea Williams | ||
| Amateur | 18" x 48" | NFS |
| Tumbling Squares | Holly Brackmann | |
| Wall hanging with handwoven shibori and dévoré imagery; Handwoven shibori and dévoré Polyester/cotton yarn, fiber reactive and disperse dyes, cotton & nylon thread, fiberglass screening, acrylic rod | ||
| Professional | 12-1/2" x 8-1/2" | $500 |
| VKP 02 | Vita Plume | |
| Wall panel with closeup of a face in 9 quadrants; black, white, red; Jacquard, woven shibori; Polyester warp, cotton weft | ||
| Professional | 38" x 50" | NFS |
| We All Look Up | Jennifer Moore | |
| Two-sided wall piece with moon calendars & text; Doubleweave pickup; Hand painted silk, cotton | ||
| Professional | 68" x 32" | $12000 |
| White Buffalo | Pamela J Colton | |
| Off-white weaving on lucite rod with copper pieces; Handwoven; Handspun wool and copper pieces | ||
| Amateur | 21" x 33" | $700 |
Wearables | ||
|---|---|---|
| Back to Top | ||
| (Untitled) | Sara Hosburgh | |
| Bias cut skirt with w-pointed hemline, primarily blue; Plain weave, weft Ikat(Handdyed); Cotton warp, linen weft, cotton lining; Seamstress: Carol Ball | ||
| Amateur | 8" x 20" x 36" | $500 |
| Am I Blue? | Lillian A Whipple | |
| Woman's jacket; Lampas on a newtworked twill; Wool 40/2 & 30/2 & sewing thread | ||
| Professional | medium size | NFS |
| Autumn's Golden Glimmer | Deborah Jarchow | |
| This plain weave ruana has over 500 crystals entwined into the 8" twisted fringe. Plain Weave, twisted fringe; Rayon chenille and Swarovski crystals | ||
| Professional | 30" x 54" | $525 |
| Blooming Leaf Stole | Janet Daniel | |
| Woman's stole, with plied fringe; Plain weave, blooming leaf pattern; 5/2 pearl cotton | ||
| Professional | 23" x 96" | $150 |
| Blue Mountain Celebration Coat | Liz Spear | |
| Long, lined celebration coat pieced with handwoven scraps inspired by Neal Howard's fabric. Handweaving, hand-dyeing; Cotton, rayon, silk; Contains fabric handwoven and hand-dyed by Neal Howard of Cullowhee, NC | ||
| Professional | 48" x 60" | $900 |
| Canyon Sunset | Christine Stanton | |
| Handwoven vest with silk trim and lining; Block twill; Silk, cotton with rayon, & silk trim & lining | ||
| Professional | 24" x 30" | $180 |
| Christina Young Reproduction 18 C Arisaid | Marjorie L. Warren | |
| 18 C Scottish Women's outer garment called an Arisaid; 4 harness twill; 16/2 worsted wool | ||
| Professional | 54" x 288" | NFS |
| Cool Chapeau | Jo A. Sanders | |
| Cut and sewn panels, nasty job, especially the rolled and turned edges; Unbalanced twill weave; 4/2 cotton warp, aqua Icelandic "Spin-in" door prize, color accents 1-1/2 hour dye workshop, all handspun | ||
| Professional | Small Hat | NFS |
| Double Duty | Virginia Reisner | |
| Reversible two-tone blue vest, trimmed with ultrasuede; Double weave with overshot patterning; 10/2 perle cotton; Ultrasuede | ||
| Professional | $160 | |
| Double Helix | Bonnie A Inouye | |
| Shawl, cream & gold, DNA design; Stitched double cloth, dyed with natural dyes, woven for texture; Natural dyed silk and rayon. Original design | ||
| Professional | 20" x 85" | $720 |
| Dynamic Symmetry | S Patton | |
| Silk dress woven with inlay and woven braid at neckline; Plain weave with inlay; Silk | ||
| Professional | 29" x 48" | NFS |
| Grandfather Mountain Highland Games tartan kilt | Joe Cordell | |
| Scottish kilt ( 4 yd box pleat); 4 harness twill; 2/18 worsted wool; Kilt made by Bob Martin, Kiltmaker. | ||
| Professional | NFS | |
| Green With Envy | Lynn Pollard Nickerson | |
| Reversible Long Coat; Doubleweave; 2/36 combed wool. Collaboration with seamstress; Coat Design and Construction - Christine Stanton | ||
| Professional | 24" x 48" | NFS |
| LaMer | Virginia Reisner | |
| 2 piece blue sequin dress. Sequins are inserted during the weaving. Includes a sheer overcoat. 8-Harness pocket-weave; 20/2 perle cotton, sequins; Coat is purchased sheer polyester fabric, made by artist | ||
| Professional | $600 | |
| Mobius in Blues | Ramona Rein-Lord | |
| Long poncho based on the Mobius Belt in a warp predominant weave; A plain weave structure with a thinner weft allowing the warp colors to shine; Variety of wools, handspun mohair, boucles and pearle cotton; Varied color repeats add interest and texture; Hand rolled hems provide finished edges. | ||
| Amateur | 51-1/2" x 36" | NFS |
| Moss and Stone | Dianne N Totten | |
| Sleeveless top and Capri pants; Four-shaft combination weave structure (variation of "thick & thin" threading surrounded by plain weave warp and weft 'stripes'); Linen | ||
| Professional | Medium | NFS |
| Mountain Lakes, Mountain Meadows | Sarah L Fortin | |
| Reversible, full-length coat in blue, green, violet, gold, grey, etc, with scarf; 8-shaft two block double weave, woven and sewn by artist; 2/24 wool | ||
| Professional | Medium | $2500 |
| Neck, Shaw | Urban R Jupena | |
| Woven and braided shibori on loom and dyed in turquoise dye; Woven and dyed; Chenille cotton | ||
| Professional | Medium | $100 |
| Orange Schemes | Leigh Alexander | |
| Apron made of handwoven fabric; Dyeing, weaving (summer & winter, block lace), and sewing; Cotton, rayon, linen, acrylic; Seam binding with grommets | ||
| Professional | 50" x 15" | $150 |
| Purpleheart Celebration Coat | Liz Spear | |
| Short, lined celebration coat pieced of handwoven fabrics, inspired by Neal Howard's dyeing and Laura Sims' Marbling; Handweaving, dyeing, marbling; Cotton, rayon, silk; Pieced with the artist's handwoven fabric marbled by Laura Sims of Bakersville, NC | ||
| Professional | 42" x 60" | $600 |
| Red/Fuschia/Scarlet | Betty Carlson | |
| Jacket/shrug, collapse weave, commercial silk collar; Silk/cotton warp wool crepe weft; Complex networked twill | ||
| Professional | Short Jacket | $350 |
| Shades of Red | Christine Stanton | |
| Handwoven felted jacket with silk trim; Plain weave, felted; Wool, silk | ||
| Professional | 24" x 34" | $350 |
| Shadow Weave Stole | Janet Daniel | |
| Woman's stole with plied fringe; Shadow weave; 3/2 pearl cotton | ||
| Professional | 19" x 49" | $150 |
| Sophisticated Lady | Margaret (Peg) Carpenter | |
| Jacket; 4-shaft honeycomb; Tidball "Undulating weft effects" draft 6, page 8; silk, hand-dyed; Vogue pattern 9200 (modified) | ||
| Amateur | NFS | |
| Spring Flowers | Helen Summers | |
| 3 piece suit; jacket and skirt handwoven single silk noil, network twill facings and linings surface designed silk camisole is silk jaquard with surface design; Network twill, shibori, stamping; Silk | ||
| Professional | misses' size 12 | $750 |
| Summer | Susan Zakanycz | |
| Jacket; Pieced woven, dyed, stenciled and discharged fabric; Cotton | ||
| Amateur | 30" x 60" | NFS |
| Symphony in Red | Sara von Tresckow | |
| Silk evening jacket and scarf - idea generated during performance of Beethoven's piano concerto # 5; 8 shaft damask; Custom dyed bombyx silk/hand dyed silk lining | ||
| Professional | Size 14 | NFS |
| Tencel Tunic | Marjorie Womack | |
| Tunic, back and royal blue; Point twill design from Alderman workshop; Tencel | ||
| Amateur | NFS | |
| Tranquil Waters - A Kimono | Cynthia Hall | |
| Capture a moment in time, just after dawn while the mist still blankets the water, tenuously holding on to the quietness of the night; Hand-dyed, hand-woven, warp and weft ikat; Tussah silk | ||
| Professional | 63" x 60" | $2500 |
| Vest | Urban R Jupena | |
| Woven in one piece shibori on loom, dyed in red and black pleats left in; Woven double cloth; Chenille cotton | ||
| Professional | Medium | $300 |
Yardage | ||
|---|---|---|
| Back to Top | ||
| Blisters and Bubbles | Lillian A Whipple | |
| Woven with double weave pockets, part washed and part scoured; Double Weave; Silk crepe and tram | ||
| Professional | 3 yards | NFS |
| Bubble Gum & Grape KoolAid | Sharon Horne | |
| Dyed plain weave; cotton, rayon; Collaboration with Sandra Kaufman | ||
| Amateur | 17" x 3 yds | NFS |
| Color and Weave Spots | Marjorie Womack | |
| Color and Weave; pearl Cotton & novelty cotton | ||
| Amateur | NFS | |
| Filtered Reflection | Kathleen M Roig | |
| 4-shaft broken twill, hand dyed warp & weft; Handwoven on drawloom; Cotton and silk yarn | ||
| Professional | 21" x 3 yd | $500 |
| Kimono | Phyllis Ruegg | |
| for kimono jacket; color blanket from Lunatic Fringe and Black; Plain Weave and 2/2 basket weave; 10/2 mercerized cotton | ||
| Amateur | 23" x 4 yds | NFS |
| Meander | Alice Schlein | |
| designed entirely in Adobe Photoshop with drawing tools and filters, weaves assigned in Photoshop. Double 2/2 twill in opposing direction, handwoven on TC-1; Wool singles and silk noil. | ||
| Professional | 3-1/2 yd x 21.5" | $1800 |
| Plane Weave - The Plains from Aloft | Deborah Jarchow | |
| This plain weave represents the grid of fields one sees looking out of an airplane window. Rectangles of chenille are surrounded by lines of wool. During finishing, the wool felts and draws the chenille into soft puffs; Plain weave and felting; Rayon chenille and wool. | ||
| Professional | 3 yd 20" x 18.5" | NFS |
| Shirt Fabric | Ramona Abernathy-Paine | |
| Warp of alternating dark and light threads, threaded as for log cabin. Weft of alternating dark and blue threads; Color and weave effect in plain weave; Cotton and Cottolin | ||
| Professional | 33-1/2" x 6 yd | NFS |
| The Praries | Lynn Pollard Nickerson | |
| Shibori woven plain weave; 2/36 combed wool | ||
| Professional | 4 yd x 28" | $1000 |
| Walmart Twill | Holly Jane Davis-Smith | |
| Walmart twill -traditional 8-harness undulating twill; 8-harness loom; Walmart bags and string | ||
| Professional | 32-1/2" x 78" | $300 |